Voice Over Microphones – How to Choose the Best One For You and Your Budget

The greatest slip-up voice over craftsmen make – and that incorporates a few experts – is utilizing an inappropriate receiver. It can wreck your work. On the off chance that you showcase yourself on Voice123.com or Voices.com, an inappropriate receiver will guarantee you don’t get employed, or on the off chance that you do, that you won’t get procured by that equivalent individual once more.

Here we’ll take a gander at the three sorts of amplifiers frequently utilized, their qualities and shortcomings, cost, and how to figure out which one(s) to go for.

We’ll discuss the sorts, at that point see explicit brands, models, and costs.

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Before we start, the most significant thing I can say to you is that your receiver is the most significant piece of your whole sound chain, no special cases. You can have the most astonishing apparatus on the planet downstream from the mic, yet on the off chance that the mic doesn’t cut it, it doesn’t generally make a difference about the remainder of that gear. Then again, a staggering receiver followed by normal valued apparatus will give you a predominant sound item.

What are you hoping to do? Is it accurate to say that you are searching for a mic that is smooth and sweet, or hard-edged and in-your-face? Is it accurate to say that you are male or female? In the event that you need to do film trailers and shouting vehicle seller advertisements, you need an alternate mic than if you’re doing “fellow or young lady nearby” – practical – VoiceOver Talent, or standard report voice work. Here are the kinds of mics to consider:


Dynamic mouthpieces are what you find in radio broadcasts and are what live vocalists (artists) frequently use. They’re tough, sensibly acceptable sounding, and alright for most voices, which means one probably won’t sound completely spectacular on your specific voice, yet it won’t sound horrendous, which isn’t valid for different kinds, including some over the top expensive receivers. A dynamic likewise isn’t so nuanced. The part that gets your voice, the stomach, is associated with a loop of wire; air development from sound makes the curl move between the posts of a magnet. The sound needs to defeat the mass of the loop, and little sounds don’t traverse.

This doesn’t make them awful. Surge Limbaugh’s Golden EIB receiver is a dynamic, and, once more, most radio broadcasts use them. They are acceptable broadly useful mics, and many voice over aces use them. They are similarly useful for male and female voices, and you can do most any kind of style with them.

In case you’re on a tight spending plan, a dynamic is the main decision, on the grounds that the other two cost much more. There are modest renditions of the other two, and you don’t need one!

So if elements are so helpful, why spend more for a condenser or lace?


A condenser receiver, of which there are two sorts, transistor and cylinder (“valve” in Europe), doesn’t have the moving curl of wire appended to its stomach. It adjusts an electrical flow produced by an outside force supply (found in most PC interfaces or with an outer force supply, see your vendor for data, or inward batteries). Without the mechanical obstruction of a powerful mic’s curl to survive, a condenser is unquestionably progressively touchy to subtlety, and in this way sounds substantially more cozy.

Condensers come in two flavors: transistor and cylinder. A cylinder condenser, which is a costly instrument (there are modest ones and they make great paperweights however not mouthpieces), is quite often the absolute best approach. Cylinder condensers sound cozy and full, and have an extraordinary in advance sound without being forceful. They are very dependent upon issues from hard discourse parts – ‘f’, ‘s’, ‘p’ – and require a pop screen (see your seller). Cylinder mics additionally produce what’s called consonant twisting, which we don’t intentionally hear yet is answerable for what’s classified “tube warmth” (nothing to do with temperature!) and sounds very private.

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